The concert lasts between 1:30 and 3:00 depending on the program requested: 1- improvisation, rhythms of the music and the Derouiches begin to dance with white clothes. This passage will include Sufi poems by Ibn El Fard. 2-several Sufi songs 3-The Derouiches will dress in clothes rainbow colored 4-Sufi songs 5-Derouiches will dance the Egyptian Tanora

Considered as the star of religious chants, Mahmoud Touhemy ows his growing popularity in the Muslim world to his very personalized interpretation of Imam Bousiry’s poem AL Burda. His rich repertoire is immersed in the heritage of religious chants as well as new compositions and arrangements that are closer to popular music than to the world of sacred chants. QAMAR’EL NABI has become a famous song , known by all throughout the Arab world and it always accompanies his multiple apparitions on Egyptian TV channels.

The term 'Al Manga' would be synonymous with 'Dukkana', a masonary bench, found in Saints Shrines (Zawiya) or in hammams and used for sitting or resting. When speaking of 'Jalsat al manga' (Manga session), the followers of the Issawiya brotherhood refer to the session of chanting called Mjarrad. The Issawiyya brotherhood is known for its litanies which lead to rites of trance, where the disciple becomes insensitive to pain. In the tradition of Tunis and its surroundings, the litanies of the Issawiyya begin with a purely vocal section, before shifting to 'amal, a section accompanied by percussion instruments, and then moving on to dance and trance rites. It is the first part of the litanies that took the name of 'Mjarrad', literally 'stripped of musical instruments'. The schanting is then accompanied only by the clapping of hands, reproducing a single , five beats rhythmic cycle.

Created in 1997 by the initiative of Pastor Frédéric Setodzo and his colleague Albert Luther, the group of young people from the Protestant parish of Hautepierre presents a veritable challenge. Hautepierre (in the suburb of Strasbourg, in Alsace), an area that is notorious for violence, young people there are always reduced to a caricature which fails to represent the richness of their potentials. The two founders chose to make it their mission to unite these young people in order to set a constructive entertainment in cooperation with them,

Lutfi Bouchnak considers all singing to be spiritual provided that it is elevated to the state of exaltation and that it brings the listener beyond the material world and lead him/ her to a wider horizon of spirituality on different topics and musical forms. So, when he sings: We sing to water the dream of the youth and to dip in love the bread of the poor, Nothing remains after the last spring, But the roses of songs…This is spirituality and when he says in one of his songs: Time betrayed me, hit me, hurt me,

Ibn Arabi